刘画家去看了一个神秘的钉子户坚守的院子,一看非同小可。这院子是真正的文物。面对拆迁,真正的文物也无能为力。为了保卫文物,陈氏兄弟两个人不同的选择令人惊心动魄。然而,祖先留下的文物最终是否保下来了呢?刘画家去看了那个院子,这一看非同小可。画了一辈子水粉画的他,自认为从未见过这样古朴而又结构严谨的院子。其中有一幅北宋欧阳修写的《荣乡亭记》还刻在墙上,墙体灰黄有些蛛网,但字迹斑驳掩不住楷体内容。本县的《印月井两千年》文史志书 Liu painter went to see a mysterious nail households adhere to the yard, a look trivial. This yard is a real artifact. In the face of demolition, the real artifacts can not do anything. In order to defend the cultural relics, Chen brothers two different choices are startling. However, the ancestors left the artifacts finally preserved it? Liu painter went to see the yard, this is no trivial matter. He painted a gouache of life, thinking that he had never seen such a simple and rigorous structure of the yard. One of the Northern Song Dynasty written by Ouyang “Rongxian Ting Ji,” carved in the wall, some gray cobwebs wall, but the text mottled can not cover the italicized content. The county’s “Indian Moon two thousand years” history books