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据明人祝允明《猥谈》、徐渭《南词叙录》的记载可知,戏文滥觞于北宋宣和年间(1119—1125),形成于南渡之际(1126),地点在温州。但戏文形成的渊源,自王静安先生推翻了明、清人“传奇源于杂剧”的说法之后,却一直是众说纷纭:有人认为戏文由印度输入中国;有人认为戏文源出于北宋杂剧;有人则认为戏文脱胎于傀儡戏;还有人认为戏文源出于诸宫调。在这篇文章中,笔者拟通过对《张协状元》和宋代各种曲体关系的探讨,以
According to the Ming people wish Yu Ming “rustic talk”, Xu Wei “Southern Ci Syria recorded” records shows that the opera at the beginning of the Northern Song Dynasty Xuan He years (1119-1125), formed in the Nandu occasion (1126), location in Wenzhou. However, since the origins of the essay, since Wang Jingan overturned the Ming and Qing dynasties, “the legendary origins of the drama”, it has always been the subject of controversy: Some people think that the essay was imported into China by India; some people think that the essay originated from Northern Song drama; Some people think that the essay is born of a puppet theater; others think that the essay is originated from different ways. In this article, I intend to discuss the relationship between the “Zhang Xie Zhuang Yuan” and the various musical styles in the Song Dynasty