在词乐尚未消亡,词还入口流行传唱的时候,它是以两种身份而流传存在着的:从音乐的角度来说,是乐化的歌词;从文学的角度来说,则是一种抒情格律诗,是歌词的乐化。词的这两种身份并行不悖,受到了当时人们的同等重视和喜欢。所以宋人对于词,并不像我们今天一样,只是将它当成一种格律比较严谨的抒情诗来看待。他们对于诸如“句读不葺之诗”或“着腔子唱”这样的“好诗”,亦即缺乏词那种独特风格的作品,固然表示不 When the lyrics have not yet disappeared and the lyrics still pop in the entrance, it exists in two identities: from the point of view of music, it is the musician’s lyrics, and from the perspective of literature, it is a Lyric Metrical Poetry, is the lyrics of music. The two identities of the word go hand in hand, subject to the same emphasis and love of the people at the time. Therefore, the Song for the word, not as we are today, just treat it as a more stringent style of lyrics to treat. Although they do not express the distinctive style of the poem such as “poetry” or “poetic singing”