初见俊虎,感觉他处事自然、得体,一身随意。再见俊虎,感觉依然。其实他是画道中人。生活中,俊虎常常是十分含蓄,而在绘画上,他则是强烈地宣泄着自己的情感。在他的眼中,世上万物,日事往来,头绪繁杂,对随波逐流中的得与失不需认真,而在喧嚣闹市中的冷思维则是他的需要。繁杂太累,进则更杂,需退而“简”之。劳心于事物的理智与思辨中,更需“情”的充实,那清晰的朦胧,单 Toshihito first saw, feeling that he is doing things properly, decent, a casual. Goodbye Junhu, feeling still. In fact, he is a picture of people. In life, Junhu is often very subtle, but in painting, he strongly exudes his feelings. In his eyes, all things in the world, daily affairs, complicated clues, not serious about gains and losses in the drift, and in the bustle of the cold thinking is his needs. Complex and tired, into the more complex, need to retreat “Jane ” of. Worried about the reason and speculation in things, but also the need for “love” enrichment, that clear obscurity, single