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中等身材,头戴蓝色工作帽,鼻梁上架着副茶色大眼镜;花格子绒布衬衫的领口敞开着,外套如系围裙似地扎在腰间,手推行李车,笑盈盈地从候机大厅的入口处缓缓走来。那副特殊的装束,在同机来自东京的西服革履的旅客中间,显得反差强烈,给我留下了极为深刻的印象。这就是日本著名导演深作欣二。“暴力片”与“社会黑帮片”导演探作欣二以擅长拍摄“暴力片”与“社会黑帮片”著称。他从影后导演的五十多部影片中,这类影片占了绝大多数。在这类影片中,虽有不少是宣扬暴力,或对暴力和黑社会的存在加以自然主义的描绘,但另一方面也否定、鞭挞或揭露了这种黑帮势力的罪恶。
Medium-sized body, wearing a blue work cap, the nose on the shelves with a pair of brown glasses; lattice plaid shirt collar open to the jacket as apron-like tie in the waist, hand trolley, smiling from the waiting hall The entrance slowly come. The special dress, which was quite contrasting among travelers with suits and suits from Tokyo, left a very deep impression on me. This is the famous Japanese director Shen Yan II. “Violence” and “social gangster film” director explores Xin II to be good at shooting “violent film” and “social gangster film” known. Of the more than 50 films he teaches, more than 50 of these films dominate. Although many of these films advocate violence or depict the existence of violence and triads in a naturalistic way, they also negate, discredit or expose the evil of such gang forces.