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陈信问:《荷塘月色》中的叠音词有何作用? 朱自清先生在《荷塘月色》中,用了26个叠音词。有双音节AA式的“缕缕”,有三音节ABB式的“阴森森”,还有四音节AABB式的“蓊蓊郁郁”。那么,这些叠音词在文中有些什么作用呢? 一、绘景。通过使用叠音词,生动地描绘自然景色,渲染环境气氛。从而达到情景交融。比如作者用叠音词描写荷叶:“弥望的是田田的叶子”、叶子“肩并肩密密地挨着”、“层层的叶子中间”、叶子“像亭亭的舞女的裙”。这里,用“田田”描写荷叶之多,用“密密”表现荷叶之稠。用“层层”展现荷叶之茂,用“亭亭”描绘荷叶之美。再如作者用叠音词描写树。用“蓊蓊郁郁”形容树木的茂盛,用“弯弯”描写
Chen Xin Q: What is the role of overlapping notes in Lotus Moon? Zhu Ziqing used 26 overlapping notes in Lotus Moonlight. There are two-syllable AA-style “plumes”, three-syllable ABB-style “gloomy”, and four-syllable AABB-style “gloomy.” So, what is the role of these overlapping words in the text? Vividly depict the natural scenery by using overlapping notes to render the atmosphere. So as to achieve the scene blend. For example, the author uses the polyphonic words to describe the lotus leaves: “Mihita is the leaves of Tada,” leaves “close together side by side,” “layers of leaves in the middle,” and leaves “like a kiosk dancing girl's skirt.” Here, with “Tian” describe the lotus leaf, with “dense” lotus thick. With “layers” to show the lotus leaf Mao, “Pavilion” depicting the beauty of lotus leaf. Another example is the author describes the tree with alphanumeric words. Describe the lushness of the trees in a “gloomy mood”, using a “bend”