《碑林集刊》第二期刊发日本前卫派书法家川边靖华《向欧阳询挑战的意义》一文,读后颇感兴趣,也深受启迪。他将书法艺术提高到科学、文化、艺术的整体创作高度上,认为书法创作应具备熟悉理解古典的功力,他的这个古典应该理解为对传统文化、民族文化内涵的吸 The second issue of the “Forest of Stone Tablets,” published by the Japanese avant-garde calligrapher Chuanbian Jinghua “challenge Ouyang inquiry,” a text, after reading quite interested, but also deeply inspired. He raised the calligraphy art to the overall creation height of science, culture and art. He believed that calligraphy creation should be familiar with the skill of classical interpretation. His classical interpretation should be based on the absorption of the traditional culture and the national cultural connotation