一如本雅明所言,“建筑扮演了下意识的角色”(1)。横亘东西的柏林墙铭刻着太多刻骨铭心的记忆——历史的、民族的、国家的、战争的、道义的、忏悔的等等,厚重而不乏统摄力,内化和浸淫为文学书写的资源和集体无意识,赋予了文学更多的“宏大叙事”和“元话语”意义,时刻警示和考验文学界的责任和担当。 As Benjamin said, “architecture plays a subconscious role” (1). There are so many unforgettable memories of the Berlin Wall that runs through it - historical, national, national, war, moral, repentance, etc., heavy but not overly photographic, internalized and immersed in resources for literary writing And collective unconsciousness, giving literary more “grand narrative” and “meta-discourse” meanings, constantly alerting and testing the responsibility and role of literary circles.