某种程度上,替代空间一直都是游走在机制和个人之间的一个灰色产物:它们往往肇始于个体的实践,而与机制有关的那一面则要从在地自我组织的线索来阅读,在这个意义上,一个个体的实践才会被定义成为机制。对清影而言,其灰色地带则是在“当代艺术空间”这个模棱两可的词汇中而敞开的。单单听上去,你说不准它的属性,是画廊,又或者是非营利的创意机构?然而,即便在认识了他们这六年来在杭州的工作内容,这一抹灰色调却 To some extent, replacement space has always been a gray product of the movement between the mechanism and the individual: they often originated in the practice of the individual, while the mechanism-related one is to be read from the clues of self-organization in the field, In this sense, an individual’s practice will be defined as a mechanism. For Shadows, the gray area is wide open in the ambiguous vocabulary of “Contemporary Art Space”. Just sound, you say it is not a property of the gallery, or a non-profit creative agencies? However, even in their six years of work in Hangzhou to understand the content