2012年对于中国文学界来说无疑是特别的一年,在中国甚至是东方文学相对沉寂的时代里,莫言获得诺贝尔文学奖无疑具有巨大而深刻的意义。然而,无论是追溯到莫言自身的文学创作之路,还是外界的评论,始终都离不开两个作家以及他们的两部作品,那就是加西亚·马尔克斯的《百年孤独》和威廉·福克纳的《喧哗与骚动》。如果说南美的哥伦比亚文学巨擘马尔克斯给了莫言一种魔幻式文学创作的形式灵感的话,那么另一位美国文学大家福克纳无疑是提供给 2012 is undoubtedly a special year for the Chinese literary world. In the era of comparatively quiet China and even the oriental literature, Mo Yan won the Nobel Prize for Literature undoubtedly has a great and profound significance. However, no matter from the way of Mo Yan’s own literary creation or the outside world, two writers and their two works are always inseparable: Garcia Marquez’s “One Hundred Years of Solitude” and William Faulkner’s “Sound and Fury”. If South America’s Colombian literary giant Marquez gave Mo Yan a form of magical literary inspiration, then another American writer Faulkner is undoubtedly offered