《偷自行车的人》以二战结束后的正处于经济大萧条的罗马为背景,影片通过主人公里奇失业,得到工作,买车,丢车,找车,偷车的过程,深刻的反映了劫难之后的民生凋敝和社会现实,反映了社会环境使人陷入一个恶性循环:从受害者变为加害者,逃离贫穷却被现实拖入更深的贫穷。本文以里奇丢车后偷车为切入点,探讨电影中的法律语境,并探讨电影与法律的分歧和通联。 “Stealing a Bicycle” After the end of World War II is in the context of the Great Depression in Rome as the background, the film through the main Richie unemployed, get a job, buy a car, lost cars, looking for cars, car theft process, a profound reflection of the catastrophe Subsequent loss of people’s livelihood and social reality reflect the fact that the social environment has plunged people into a vicious circle: from victims to perpetrators, they have been dragged from poverty to deeper poverty by reality. This article takes Richertm car after car as the starting point to explore the legal context of the film, and to explore the differences between film and law and the Federation.