在对《聊斋俚曲》的研究也多集中在语言学方面,很少有人将《聊斋》与《聊斋俚曲》对比分析。这里将集中分析《聊斋俚曲集》的再创作方面,以《聊斋志异》中的《张鸿渐》到《聊斋俚曲集》中的《富贵神仙》再到进一步改编的俚曲《磨难曲》为例,考证蒲松龄之所以一再改编《张鸿渐》的深层原因以及文本改编后故事情节的扩展、人物形象的丰满和思想内容的深化。 In the study of “Liaozhai”, most of the studies on Liaozhai folk song are focused on linguistics. Few people compare and contrast “Liaozhai” with “Liaozhai”. Here we will focus on the re-creation of “Liaozhai otaku”, “Zhang Hongjian” in “Strange Tales from a Lonely Studio” to “The Rich and Fairy” in “Liaozhai otaku” and then to the further adaptation of “ As an example, studies the deep reason why Pu Songling re-adapted ”Zhang Hongjian" and the expansion of the story after the adaptation of the text, the fullness of characters and the deepening of the ideological content.