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2011春季拍卖高峰过后,中国艺术品市场竞争更加激烈。今年秋拍,大大小小的拍卖公司在当代艺术板块纷纷推出特色专题,或是挖掘市场价位还未到高点的写实派画家,或是寻找“70后”新锐艺术家的收藏市场,力争在古代书画、近现代书画等传统板块之外抢古先机。这使得20ll秋拍无论从拍品征集还是宣传上,争夺更加趋于白热化。新老拍卖公司都使出浑身解数,开始一场没有硝烟的战争。
After the peak of the 2011 spring auction, competition in the Chinese art market is even more intense. This autumn auction, large and small auction companies in the contemporary art sector have launched special features, or to tap the market has not yet reached the high point of realist painter, or looking for “70 ” cutting-edge artists of the collection market, and strive In the ancient calligraphy and painting, modern painting and calligraphy and other traditional plates outside the preemptive opportunities. This makes 20ll autumn auction in terms of solicitation or publicity on the auction, the competition tends to be more intense. New and old auction companies have resorted to every means to start a war without smoke.