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艺术本性一直是一个难解的艺术之谜。维特根斯坦家族的相似概念可以用来瓦解艺术本性问题中隐含的形而上学倾向,指出本性问题不过是一种错误的理论预设,实际上根本没有这样的本性,有的只是各种家族相似结合在一起的艺术类型。这样就将艺术本性问题搁置一边,用艺术类型探讨代替艺术本性探讨。只有在类型中,我们才能探讨与艺术实践结合在一起的亲缘关系,不同类型间的艺术界限是亲缘关系的松弛环节。围绕艺术类型与界限进行探讨可以形成一系列艺术观念的转变。
The nature of art has always been an enigma of art. The similar concept of the Wittgenstein family can be used to dispel the metaphysical tendencies hidden in the issue of artistic nature. It is pointed out that the problem of nature is only a false theoretical hypothesis. In fact, there is no such essence at all. The type of art together. In this way, the problem of artistic nature will be put aside, and the discussion of artistic type will be taken as an alternative to artistic nature. Only in the genre can we explore the kinship associated with artistic practice. The artistic boundaries between different genres are the relaxation of kinship. Discussing the type and boundaries of art forms a series of changes in the concept of art.