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本文是从美术考古角度,对六朝胡俑进行的图像学研究。六朝胡俑是六朝时期的重要文物,是研究六朝文化的重要参照,对我们研究六朝时期的中外文化交流、佛教的传播、胡汉关系等问题有重要的意义。文章通过对六朝胡俑考古成果的收集、整理,对其进行较为详细的分期与分区研究,并结合历史文献,对六朝时期寓居南方的胡人族群的外貌、服饰、身份、族属等问题进行了探讨,以期实现“图像证史”。
This article is from the archeology and art archeology, the image of the Six Dynasties figurines. The Six Dynasties figurine is an important cultural relic of the Six Dynasties and an important reference for studying the culture of the Six Dynasties. It is of great significance for us to study the Sino-foreign cultural exchanges during the Six Dynasties, the spread of Buddhism and the relations between Hu and Han. Through the collection and arrangement of the archeological achievements of the figurines in the Six Dynasties, the essay conducts a more detailed study of their archeology and division, combined with historical documents, conducts such questions as the appearance, costumes, identity and ethnicity of the Hu ethnic group living in the south during the Six Dynasties The discussion, in order to achieve “image card history ”.