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南北朝时期的书法艺术体现出强烈的区域性即南北书法的发展方向不同。北朝大量的刻石主要以实用为目的。所表现出来的主要是实用书法的美感。南朝书法由于对“二王”书法传统的继承与北朝刻石相比,表现出了纯艺术的倾向。公元554年,南朝书家王褒入关后其二王一脉的书法大受欢迎,使得以赵文渊为代表的北方书法大为冷落。本文试以王褒入关事件为切入点,尝试剖析南北朝书法发展的差异性。
Northern and Southern Dynasties calligraphy art reflects a strong regional that is, the development of calligraphy in different directions. A large number of Beidaihe mainly for practical purposes. The main show is the beauty of practical calligraphy. Because of the inheritance of the calligraphy tradition of “Wang Wang ”, the calligraphy of the Southern Dynasty showed the tendency of pure art compared with that of the Northern Dynasty. In 554 AD, the calligraphy of the two kings and one king after the entrance of the Southern Dynasty scholar Wang Pao into the customs became so popular that the northern calligraphy represented by Zhao Wenyuan was largely neglected. This article tries to cut off the entrance of Wang Bao as a starting point, try to analyze the difference between the Northern and Southern Dynasties calligraphy development.