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如果说孙过庭在中唐力图调合唐“法”与晋“韵”的矛盾,重新确立魏晋书法在唐代统治地位的努力归于失败,那么,张怀瓘在中唐的崛起则意味着唐代书法审美转换的开端。
If Sun Chaotian tried to reconcile the contradictions between the Tang “Jin” and Jin “Yun” in Mid-Tang Dynasty and re-established the Wei-Jin calligraphy’s dominance in the Tang Dynasty, then the rise of Zhang Huai-jang in the middle Tang dynasty meant that Tang The Beginning of Aesthetic Transformation of Calligraphy.