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清初文人承晚明遗风,戏曲活动十分普遍,而戏曲活动与词的创作发生联系,对词的创作产生影响,则较晚明文人有过之而无不及。我认为,将清初文人的戏曲活动与词的创作联系起来加以考察,有助于两方面研究的深入,是一条值得重视的研究路径。当然,对清初文人的戏曲活动应当如何评价,是一个首先需要面对的问题。孟森先生《王紫稼考》曾云:“易代之际,倡优之风往往极盛。其自命风雅者,又借沧桑之感、黍麦之悲,为之点染其间,以自文其荡靡之习。数人倡之,同时几遍和之,遂成为薄俗焉。”2孟
In the early Qing Dynasty, scholar ChengYueMing legacy, opera activities are very common, but the opera activities and the creation of the word contact, the impact on the creation of the word, the later MingWenHua people have gone beyond. In my opinion, the study of the relationship between the drama activities of the literati in the early Qing Dynasty and the creative writing of the essay will help to deepen the study on both sides, which is a worthwhile research path. Of course, how to evaluate the opera activities of the literati in the early Qing Dynasty is one of the first issues to be faced. Mr. Meng Sen “Wang Zijia test” Zeng Yun: “The occasion of the generation of the times, advocating the style of the wind is often extremely Sheng its pretentious person, but also by the sense of vicissitudes, the millet grief, for the sake of dyeing the meantime, Extravagant learning. Several people advocate it, at the same time and several times, then become thin vulgar. ”2 Meng