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在二都戏的传承演变历程中,呈现了从曲牌体到板腔体的演进,其后发展成融高腔、昆腔、皮黄腔、滩簧、乱弹、明清俗曲等诸声腔共存的多声腔戏曲形式。由于菇民区香菇经济在“康乾盛世”时发展到鼎盛时期,又盛行佛道两教,于是在敬神娱神的过程中又将其与宗教仪式紧密相连,形成了具有显著地域性特征的地方剧种。本文将从二都戏的“乐声”音乐形态、“非乐声”音声形态进行分析,以及对二都戏音乐现象的演变过程进行探究,使这一独特的音乐形象得以显现。
During the evolution of Erduan drama, the evolution from Qupai body to plate cavity was presented, and then it developed into the multi-cavity opera with coexistence of various cavities such as high cavities, Kun cavities, yellow cavities, beach springs, form. As mushroom economy in GuMinMao developed to its heyday in the period of “KangQian heyday” and prevailed in Buddhism and Taoism, it was closely connected with religious rituals in the process of worshiping the gods, forming a distinctive regional Features local opera. This article will analyze the musical form of “music ” and “non-music ” sound patterns of Erdu opera and explore the evolution process of the Erdu drama’s music phenomenon to make this unique music image appear .