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本文从唐代仕女画名作《簪花仕女图》入手,揭示这件作品在眼神、体态和环境中心理刻画方面杰出的表达方法,并从中梳理中国传统人物画创作经验和体会。在周昉的《簪花仕女图》中,有人总结出唐朝雍容华贵的美学理论,有人体会到人物画工笔重彩的绝妙配色,也有人窥见了晚唐的人文气质,还有人通过历史考证对画中仕女的身份和创作年代提出新的定位等等,优秀的艺术品总是常读常新,总是焕发着无穷魅力等待
This article starts with the famous Ladies’ Painting of Ladies in Tang Dynasty, revealing the outstanding expression of this work in the portrayal of eyes, body and environment, and combing the experience and experience of Chinese traditional figure painting. Some people have summed up the graceful aesthetics theory of the Tang Dynasty in Zhou Zan’s “Lady Flower Girl Figure”. Some people have realized the wonderful color matching of figures and paintings. Some people have a glimpse of the humanistic temperament of the late Tang Dynasty. Painting ladies identity and creation of the new position, etc., outstanding works of art is always reading new, always glow with endless charm waiting