对于大部分的影像作品而言,对话所占据的分量是相当大的。在有限的时间内既要完成对叙事表达,又要诠释人物的个性,还要进行一定的表意传达,在需要语言这一功能发挥作用时,对话确实能够出色地完成任务,只是某些影片并没有在对话分镜上下功夫,最终导了致表意不明确或无法突出重点的情况出现。对话分镜并不只是单一的近景正反打镜头,机位的位置,高低和运动等都能反映或是暗示人物的情绪和心理活动。 For most video works, the weight of the conversation is considerable. In a limited time, it is necessary to complete the narrative expression, but also to interpret the personality of the character, but also to convey a certain amount of meaning. When the function of the language is needed, the dialogue can indeed perform its task well. Did not work hard in the dialogue, and eventually lead to the expression is not clear or can not focus on the emergence of the situation. Dialogue is not just a single shot of close-up shots. The location, height, and movement of the seats reflect or imply the emotional and psychological activities of the characters.