人物的内心性情或人物神明与人物的外部形象是相辅相成、辨证统一的。形侍神以立,神须形以存。以形象为手段,旨在指向对人物神明的认识,这即是“以形求神”。本文试图从人物的举止动态、容貌和语言三个层面考察《第三代》是如何通过对“传神之形”的刻画,起到揭示人物内心性情,从而达到塑造人物形象的目的的。 The character’s inner character or god of character and the character’s external image are complementary and dialectical unity. God-shaped actress, God Shall be saved. To the image as a means to point to the understanding of the gods of characters, which is “to shape God ”. This article attempts to examine how the “third generation” through the portrayal of “expressive form ” from three aspects of character dynamics, appearance and language to reveal the innermost feelings of the characters so as to achieve the purpose of shaping the characters.