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南朝时期以注重文学形式创新为特征的形式主义文学思潮,根源于当时哲学思维方式的转变引发的对语言价值的探索,玄学和佛教哲学的建构都倚重于语言策略(经典再诠释、清谈、译经、梵呗唱导等)。受其影响,当时文人形成了重视文学语言形式审美价值的文学本体观念,认为文学是“言之业”,文学创新的关键是语言形式的创新。这种形式主义美学倾向促进了诗的近体化与赋、文的骈化,以及文体研究的深入、形式批评范畴的形成,并促成了中国古代诗文创作与批评中的形式美学传统。
The trend of formalistic literature thought characterized by the innovation of literary form in the Southern Dynasties was rooted in the exploration of linguistic value caused by the change of philosophical thinking at that time. The construction of metaphysics and Buddhist philosophy relied on the strategies of language (classical re-interpretation, After, Vatican chanting singing guide, etc.). Influenced by this, the literati formed the concept of literary noumenon that valued the aesthetic value of the literary language form. They considered literature as “the profession of language” and the key of literary innovation was the innovation of linguistic form. This formalist aesthetic tendency promotes the closeness and fu of poetry as well as the deepening of stylistic studies and the formation of formal criticism categories and promotes the formal aesthetics tradition in the creation and criticism of ancient Chinese poetry.