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在1956年12月全国文化局(厅)长会议上,通过了一项关于民间职业剧团安排问题的报告。报告对民间职业剧团在政治上、经济上、艺术上、工作上、生活上的各种问题,都作了具体的指示。这是振奋人心的喜讯,是戏曲艺人想望已久终成事实的大喜事。解放几年来,某些民间职业剧团得到了当地党和政府部门的关心、重视和具体领导,他们的情况就很好,他们重视戏曲传统,新老艺人之间是团结的,政治与业务学习的空气是高涨的,艺人们在生活上也接近了当地人民群众的水平。但文化部门未能把两千多个民间职业剧团的大多数当作继承与发扬民族戏曲遗产的强大队伍来对待,未能把对他们的安排当作涉及广大群众生活的重大问题来处理,因而对他们没有加以全面的领导与安
In December 1956, at the meeting of the Director General of the National Cultural Affairs Bureau, a report on the arrangement of private professional troupes was passed. The report has given specific instructions to the private professional troupes on political, economic, artistic, work-life and life issues. This is an exciting news. It is a joyous event for the opera entertainers to have long been a reality. In the past few years, some private professional troupes got the care, attention and specific leadership from local Party and government departments. Their situation is very good. They attach importance to the traditional opera tradition. The relationship between old and new artists is unity, politics and business learning The air is soaring, and artistes are living close to the level of local people. However, the cultural sector failed to treat the majority of the more than 2,000 civil occupation theaters as a strong contingent of inheriting and carrying forward the heritage of the national drama. It failed to treat the arrangement of them as a major issue involving the mass life of the general public. Therefore, They did not have full leadership and security