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“倾听”是戏剧表演中获得有机交流的关键。表演中的倾听是一个广义的概念,指演员接受五感信息,通过内心产生藉以驱动反动作的体验的过程。五感信息是演员产生体验的基本素材,来源于五觉对于世界的感知。要获得/找回表演交流中的倾听能力,需要去除蒙蔽五感和内心的“听障”。自我意识、日常生活中过度的感官刺激和只专注于预想的对象的习惯是蒙蔽五感的障碍;刻意地“创造”体验和“再生”体验,是阻碍内心自然地产生体验的障碍。
“Listen” is the key to organic communication in theatrical performances. Listening in performance is a generalized concept of the process by which an actor receives five senses of information and creates an experience through the heart that drives the reactionary movement. Five senses of information is the basic material for the actors to experience, from five perceptions of the world. To get / listen to the performance of listening and listening skills, you need to get rid of the five senses and the inner “hearing impaired.” Self-awareness, excessive sensory stimulation in everyday life, and habits that only focus on the intended object are obstacles that mask the five senses; deliberately “creating” and “regenerating” experiences are obstacles that hinder the natural creation of the mind .