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《水浒传》的女性观是落后的,这种落后的具体原因来自宋元以后侠与色的对立,这是一种江湖文化,而非主流的儒家文化。从历史上看,侠与色的关系经历了重侠轻色到侠而戒色的过程,元代罗春伯的《任侠十三戒》是宋元以来侠义观念的集中体现,侠与色的对立是造成《水浒传》中的三位女英雄和三顶绿帽子的根本原因。
“Outlaws of the Marsh” concept of women is backward, the specific reason for this backwardness from the Song and Yuan confrontation between man and color, which is a rivers and lakes culture, rather than mainstream Confucianism. Historically, the relationship between chivalry and color has undergone the process of emphasizing chivalrousness to chivalrousness and eliminating color. The “Ren Xun Thirteen Ring” by Luo Chunbo in the Yuan Dynasty is the embodiment of chivalrous ideas since the Song and Yuan Dynasties. The antithesis between chivalry and color is The root causes of three heroines and three green hat in The Water Margin.