戏曲艺术在探索中前进。这里面,题材的开掘具有决定性意义,因为,它不仅可以为表演艺术的创新提供表现的蓝本,重要的是,题材的广泛深入开掘,可以而且正在改变传统戏曲的那种表现三纲五常、三从四德、忠孝节义的旧面目,提高戏曲的品位,增强戏曲的自身价值。正因为如此,首届中国戏剧节中,福建省梨园戏实验剧团演出的《节妇吟》(王仁杰编剧)以及湖南省湘剧院演出的《山鬼》(盛和煜编剧)这两个新编剧目尤为引起戏曲界及广大观众的注目。《节妇吟》写了一个老掉了牙的反封建题材,但 Art in the exploration of traditional opera. The excavation of the theme here is of decisive significance because it can not only provide a blueprint for the performance of the performing arts, but also importantly, the extensive and thorough digging of the theme can and is changing the traditional performance of the traditional operas. The righteous old face, improve the taste of opera, enhance the opera’s own value. Because of this, the first Chinese Theater Festival, Fujian Province Liyuan Opera experimental troupe performed “Festival Woman Yin” (Wang Renjie screenwriter) and the Hunan Provincial Theater performances “Shan Gui” (Sheng He Yu screenwriter) these two new repertoire Especially the drama industry and the audience’s attention. “Women of the Day” wrote an anti-feudal theme with old teeth, however