【摘 要】
:
饱满,庄重,大气,一切国器的特征它都具备了。斑驳,厚重,包浆,一切铜鼎的古气它都具备了。万事俱备,就看怎么设计台座和展示了。围绕国之重器这一主题,作者以传统的鼓丁回纹座
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饱满,庄重,大气,一切国器的特征它都具备了。斑驳,厚重,包浆,一切铜鼎的古气它都具备了。万事俱备,就看怎么设计台座和展示了。围绕国之重器这一主题,作者以传统的鼓丁回纹座相配,既简洁洗练,义凸显其庄重大气的特质,如果到此为止,那是较常见的台座设计形式。为了更逼真的展示鼎的功能性,再现祭祀过程的隆重场面,作者进一步为台座营建炉灶,对烘托主题起到了推波助澜的作用。在这个例子中,我们能清晰地感受到作者将台座设计和表演展示融为一体
Full, solemn, atmosphere, all the features of the country it has. Mottled, thick, pulp, all the ancient copper pot it has all the. Everything is ready to see how to design the pedestal and display. Around the theme of the weight of the country, the author matched with the traditional drum Ding Hui Block, both simple and concise, meaning prominent its solemn atmosphere, if so far, that is the most common form of pedestal design. In order to show the function of Ding more vividly and to reproduce the solemn scene of the sacrificial process, the author further set up a stove for the pedestal and played a role in fueling the theme. In this example, we can clearly feel that the author has integrated the pedestal design with the performance show
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