如何把源于西方的摄影同东方文化,特别是中国文化相互融合,创作出具有民族特色和审美意趣的艺术摄影作品,这是我的求索所在。近八年来,我不再横扫物象如卷席,南征北战没主题,而是驻足家园务虚,沉下心思研习。我受大师齐白石老人“衰年变法”的启发,并借鉴中国写意花鸟画及其用材,捋顺创作思路,确立影像风格,尔后弥坚谋法,惨淡经营,勤于思,践于行,浅尝“玻璃宣纸水印”拍摄法。用 It is my quest for how to integrate western photography with oriental culture, especially Chinese culture, and create artistic photography with national characteristics and aesthetic interest. For the past eight years, I have no longer swept the image of objects such as the volume seats, and the Southern Campaign did not have the theme of the Northern Campaign. Instead, I stopped at homeland and studied myself. Inspired by the master Qi Baishi, the old man, “The Decline of the Elderly”, and drawing on the ideas of Chinese freehand flowers, birds, birds and flowers, and Shun Shun creation ideas, I established the image style, , Shallow taste “glass rice paper watermark ” shooting method. use