论文部分内容阅读
我相信作品的质量。对书法或山水画的艺术语言来说更是如此。今天,艺术多样化的观念逐渐被多数人接受了,接下来的事情便很明确:把你认准的路子坚定地走下去,把自己想要表达的东西挖掘得深一点,更深一点,以至于完善到他人难以企及的地步,这也许就是修成“正果”了罢。 书法在中国文化中有着十分特殊的重要地位。传统视觉艺术中很少不与书法发生直接关系的。举凡建筑、绘画、工艺等等,无一不渗透着书法的灵魂。当书法在实践和理论上已经成熟的时代,绘画还处于幼稚阶段。宗白华先生说过:要了解西方艺术,就应该抓住建筑。而要了解中国艺术,就要抓住书法。这是十分精辟的见解。
I believe in the quality of the work. This is even more true of the artistic language of calligraphy or landscape painting. Today, the concept of art diversity is gradually accepted by the majority, and the next thing is very clear: go your way to find it firmly, dig deeper and deeper into what you want to express, so much so that Perfection is beyond the reach of others, which may be repaired as “positive” strike. Calligraphy has a very special and important position in Chinese culture. In traditional visual arts, few are directly related to calligraphy. All buildings, paintings, crafts, etc., are all permeated with the soul of calligraphy. When calligraphy in practice and theory has matured in the era of painting is still in its infancy. Zong Baihua said: To understand Western art, we should seize the building. To understand Chinese art, we must grasp the calligraphy. This is a very brilliant insight.