首先必须确认一个前提:歌剧《楚霸王》不是一部以故事情节的生动曲折和戏剧冲突的贯穿发展作为主要风格特征的作品。因此,我们不能从这个角度来判断其成就与不足;无论从剧本的结构原则还是音乐展开的基本方式看,此剧重在对项羽这个末路英雄悲情史诗及其心理戏剧性进行 First of all, we must confirm a premise: the opera << Chu King >> is not a vivid twists and turns of the story and drama through the development as the main style features. Therefore, we can not judge its achievements and deficiencies from this perspective. Whether from the structural principle of the script or the basic way of music development, this drama focuses on the epic heroic tragedy and its psychological drama