就杨帆的小说语言来说,我们可以将她称为华丽的暗杀者。她毫不留情地划开了盛世幻象之下苍白的面具,以高难度的语言体操动作和低调节制的节奏、别致深切的认知,表现了当下中国深刻的危机和救赎的可能。——吴义勤(评论家,中国现代文学馆馆长) For Yang Fan’s fictional language, we can call her the gorgeous assassin. Her mercilessly cut out the pale mask under the phantasm of prosperity, with difficult language movements and low-key rhythm, unique and profound understanding of the current crisis in China and the possibility of salvation. - Wu Yiqin (critic, curator of Chinese modern literature)