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自原始社会至今,舞蹈以不同的表现方式和形态诠释着生命和情感,从田间的民间自娱演化为舞台艺术,从劳动模仿升华为审美取向,从程式规范发展为自由创作,其进步的过程中离不开一个重要的方面——舞蹈批评。为何?纵观舞蹈发展史,魏晋南北朝称得上是舞蹈发展变革最具划时代意义的时期,因为这个时期不仅是艺术理论的自觉时期,亦是精神史上极自由、极解放、最富有智慧、最具有热情的一个时代,更是舞蹈批评最彰显其作用的时期。
Since primitive society, the dance interprets life and emotion in different ways and forms, evolving from folk entertainment in the field to theatrical art, sublimation from labor imitation to aesthetic orientation, and development from procedural norms to free creation, and its progressive process Can not be separated from an important aspect - dance criticism. Why? Looking at the history of dance development, the Wei, Jin and the Southern and Northern Dynasties call it the epoch-making significance of dance development and change. This period is not only a conscious period of art theory, but also an era of extremely free, highly liberated and most intelligent in the history of the arts. One of the most passionate times, but also the most highlight the role of dance criticism period.