我在酝酿《祝你平安》(以下简称《祝》)时,偶然听到一位省级电视台导演对小品创作所发表的宏论,他避而不谈人物塑造、主题开掘,而一味追求观众的笑,什么人物要带包袱上场了,说个三五句话就得来个彩儿了,三个包袱过后就得一咕咚了,最后还要放个大麻雷子让观众炸锅了……总之,听了这套闻所未闻的高论,我的态度只 When I brewed “I wish you peace” (hereinafter referred to as “I wish”), I occasionally heard the macro theory of a director of a provincial-level television station on the creation of sketches. Instead of talking about the characterization, the theme digging, and blind pursuit of the audience Laugh, what characters to bring the burden of play, and say a few words to have a color child, after three burdens have a grumbling, and finally put a marijuana let the audience fried fry ... ... In short After listening to this unheard of theory, my attitude is only