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当代书坛,书法批评正在走向健康的学术批评轨道。批评的学术机制正在逐步建立和完善,批评家的独立形象也正在被社会、被创作家所尊重。生活在优越、温柔的社会环境和媚眼、软口的艺术环境,大部分艺术家的耳根极细、极软极滑溜又极优越,很难听进生的、硬的、辣味十足的话语。由此,批评家或者叫做批评人的一小部分群体,就极为艰难地生活着,他们试图千方百计地建立自己的批评话语权。这样的批评话语权的建立无疑于如履薄冰——批评家如此,书法报刊、媒体同样是。
Contemporary calligraphy, calligraphy criticism is moving towards a healthy academic critical orbit. Criticized academic mechanisms are being gradually established and perfected, and the independent image of critics is being respected by the society and by the writers. Living in a superior, gentle social environment and winking, soft-spoken art environment, most artists are extremely sophisticated, extremely soft and slippery, and extremely hard-pressed to listen to live, hard and spicy words. As a result, critics, or a small group of critics, live an extremely difficult time trying to establish as many ways as they can to create their own critical discourse. The establishment of such a critical discourse is undoubtedly on thin ice - so critics, calligraphy and newspapers, the same media.