在中国古典舞教学中,“身韵”训练非常重要,“身韵”训练需遵循合理的训练方法才能取得实效。笔者从事中国古典舞教学,在工作中总结出了一些自已的心得,现选择其中两点进行简要的探讨。本文简要探讨了“身韵”的训练价值,也附带地介绍了几点“身韵”训练的注意事项,以期能够对中国古典舞教学有所助益。1950年欧阳予倩先生首次提出中国古典舞这一舞种的定名,北京舞蹈学院唐满城、李正一等舞蹈工作者在中国戏 In Chinese classical dance teaching, training of “body rhyme” is very important, and training of “body rhyme” needs to follow reasonable training methods to be effective. The author engaged in the teaching of Chinese classical dance, summed up in the work of some of their own experiences, is now selected two of them briefly discussed. This article briefly discusses the training value of “body rhyme ”, also introduces some points “body rhyme ” training precautions, with a view to be able to help Chinese classical dance teaching. In 1950, Mr. Ouyang Yuqian put forward the name of the Chinese classical dance dancer for the first time. Dancers from Beijing Dance Academy Tang Mancheng and Li Zhengyi danced in Chinese drama