我一直用真情去表现朴素而生动的人物形象,喜欢用具体的形象表现自己的感受。在美院学习期间我是最快乐的。用水墨说话,用水墨表现面对的生动的面孔,在这种环境中,感觉得到复燃,作画时充满乐趣和激情。我喜欢水墨人物,喜欢这种艺术形式,只有这样,才能够传达我的情感。虽然有许多不足,但是,我画得非常投入非常过瘾。水墨人物写生,以传统的水墨画的形式和技法表现现实生活中的人物,并融入自己的感受,表现出人物的形神关系。顾恺之的“以形写神”形成了传统的绘画观念,如今己成为学习和研究人物画的核心内容。以笔为其骨,以墨为其肉,笔墨互用,使其形象生动而有活力。在具体的表现过程中,人物形象的造型与结构关系,要分析理解,要适应用笔用墨的表现,从 I have been using the truth to express simple and vivid character image, like to use specific images of their feelings. I was happiest while studying in the Academy. Speak in ink and wash, with ink and vivid face expression, in this environment, feeling rekindled, painting full of fun and passion. I like ink characters, like this art form, the only way to convey my feelings. Although there are many deficiencies, but I am very involved in drawing very enjoyable. Ink characters sketched in traditional ink painting forms and techniques to represent real-life characters, and integrate into their feelings, showing the character of the relationship between God and God. Gu Kaizhi’s “Shaping God” formed a traditional concept of painting and now has become the core content of studying and studying figure paintings. With the pen as its bone, ink as its meat, pen and ink each other to make its image vivid and dynamic. In the specific performance of the process, the image of the character shape and structure of the relationship, we must analyze and understand, to adapt to the performance of pen and ink, from