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文学的自觉是一个历史过程,在中国,从开始萌芽到实现飞跃历经五百年。辞赋创作是这期间最重要的文学现象,与中国文学的自觉关系最为密切,最突出的是其以“丽”的审美特征充分展露了文学的艺术特质,这方面的追求不断加深人们对文学的认识,从而有力地推动了中国文学自觉的演进。但在汉代经学“尚用”文学观的强势干预下,辞赋被迫沦为服务于外在目的的工具,又使中国文学自觉迟迟不能实现飞跃。正确评价辞赋在这方面的作用,有助于准确界定中国文学的自觉。
Literary consciousness is a historical process, in China, from the beginning of sprouting to achieve leap after five hundred years. The creation of Ci Fu is the most important literary phenomenon in this period. It has the closest relationship with the Chinese literature. The most prominent is that it fully reveals the artistic qualities of literature with the aesthetic characteristics of “Li” Literary understanding, thus effectively promoting the conscious evolution of Chinese literature. However, under the strong intervention of the Han Dynasty scholarly literary concepts of “Shang Yong”, Ci Fu was forced to degenerate into a tool for serving the external purpose, which in turn made Chinese literature consciously unable to make a leap forward. Correctly evaluating the role of Ci Fu in this respect helps to define the conscientiousness of Chinese literature.