“女孩的指甲很长,都涂着指甲油,一个女孩涂成橙红色的,一个女孩涂成银白色的”——旧海棠小说《橙红银白》篇名的出处,这就是了。题目取得偏,却打得正,两种颜色的强烈对比,衬出热烈与冰冷,繁华与苍凉,不经意擦亮了小说内里的那一抹空间感。小说写得很平淡,却包含着异常尖锐与强烈的东西。我不愿意仅仅是用“乡村-城市”或阶层流动的视角来重述它。以往的许多涉及进城打工家庭内部问题的小说往往 “The girl’s nails are very long, all covered with nail polish, a girl painted in orange-red, and a girl painted in silver-white.” - That’s where the old Begonia novel “orange red and silver” comes from. Subjects made partial, but played positive, the strong contrast of the two colors, lined with warm and cold, bustling and desolate, inadvertently polished inside the novel that sense of space. The novel is very plain, but contains unusually sharp and intense things. I do not want to restate it simply with the perspective of “village-city” or class flow. Many of the previous novels involved in the internal problems of migrant workers in cities often