《国家至上》反映了抗战背景下回汉之间文化冲突的客观存在与双方国家主义价值观的契合相通,表现了剧中人物的“挣扎”、作者的“抗战想象”以及民族国家缺失给国民带来的精神创伤和命运悲剧,表达了回汉双方有识之士催生“回汉合作”的历史焦虑,也彰显了老舍的爱国立场、抗战文艺宣传论和启蒙现代性思想。 “The supremacy of the state” reflects that the objective existence of the cultural conflicts between the Hui and Han under the Anti-Japanese War is compatible with the values ​​of the two countries’ nationalism. It shows the “struggles ” of the characters in the play, “anti-war imagination ” by the author, The tragedy of trauma and destiny brought to the Chinese nation by lacking, expressing the historical anxiety of the people of insight from both China and the Han dynasty that gave birth to the “cooperation between the Chinese and Han”, and also demonstrated Lao She’s patriotism, the anti-war literature and art propaganda theory and the enlightenment modernity thought .