中国画是讲究艺术格调的。艺术格调有高下之分,所以在中国画的继承问题上历来有“取法乎上”的古训,“上”是经历历史筛选并符合美学规律的结晶,明确这个道理,后来者可以少走许多弯路。熊广琴虽然年轻,对这个问题却有很深的领悟。她的审美眼光既有先天条件,更得益于后天学习。大量的阅读,从中国古代画论到20世纪的各家美学和文艺学的主要见解,包括西方艺术批评家的观点,她均肯下功夫研读, Chinese painting is about style of art. Therefore, in the inheritance of Chinese painting, there is always an ancient way of “taking the law,” “Shang” is the crystallization of history screening and conforming to the law of aesthetics. To make it clear, later people can take many detours . Although Xiong Guangqin young, there is a deep understanding of this issue. Her aesthetic vision both congenital conditions, but also benefit from acquired learning. A lot of reading, from the ancient Chinese painting theory to the 20th century aesthetic and literary theory of the main insights, including Western art critics point of view, she is willing to work hard to study,