作为一种美学思潮,“软性电影论”在以往中国电影历史的叙述中,一直是一个被清算的对象。然而,当历史尘埃落定,使我们得以拭去种种意识形态的锈斑,仔细辨认“软性电影论”的思想来源、政治态度、艺术观念后,就会发现以前对它的评价过于简单化了。需要申明的是,本文认可左翼电影的民族主义和人道主义的立场, As a kind of aesthetic trend of thought, “Soft Cinema Theory” has always been a target of liquidation in the narration of Chinese movie history in the past. However, when the dust of history settles so that we can wipe out all kinds of ideological rust spots and carefully identify the source, political attitude and artistic concepts of “soft cinema theory,” we will find that it was too simplistic in its evaluation of the past . What needs to be affirmed is that this article recognizes the nationalist and humanitarian positions of the left-wing film,