“中和美”是中国古代美学思想的核心。几千年来,它对于中华民族审美观念、道德情操乃至民族性格的形成,发挥了巨大的作用。中华传统的“中和”美学观念的文脉历程,乃是由《尚书》发轫,经孔子删诗活动的再阐释和荀子的发挥,在《礼记》《乐记》中臻于成熟,最后由汉代《毛诗序》定鼎。由先秦至汉,儒家诗学“中和”观念在中国古代文艺思想领域内逐渐占据主导地位,这一事件对中国文化文艺产生了重大而深刻的影响。 “Neutralization of the United States” is the core of ancient Chinese aesthetics. For thousands of years, it has played a tremendous role in forming the Chinese nation’s aesthetic concepts, moral sentiments, and even national character. The traditional Chinese history of “neutralization” of aesthetics is originated from the development of Shangshu and the re-interpretation of Xunzi’s activities by Confucius and the deletion of poetry, and is mature in the Book of Music , Finally by the Han Dynasty “Mao Shi” set Ding. From Pre-Qin to Han Dynasty, Confucianism poetics “Neutralization ” gradually occupy a dominant position in the field of Chinese ancient literature and art. This incident has had a profound and profound impact on Chinese culture and literature.