长期以来,人们不大重视小戏的创作和演出。专业剧团、剧院很少演小戏,专业剧作家也很少写小戏,就是过去以演小戏为主、面向基层的专业文工团和业余剧团也纷纷演起大戏来了。一般地说,专业剧团、剧院与专业剧作家,由于工作任务不同、工作条件不同,是可以偏重于演出或创作一些大戏的,业余剧团偶尔演一点大戏,也符合观众欣赏的需要。只是有的人把演出或创作大戏看作是“有水平”、“有名气”,演出或创作小戏是“不过瘾”、“没意思”,那就是一种偏见了。道理很明白。大与小不等于高与低。大戏与小戏的区别,只在于选材不同,剪裁不一而已,就象长篇小说与短篇小说一样。观众是按质量定高低,而不会一律把写大戏的看作大作 For a long time, people do not pay much attention to the creation and performance of the mini-opera. Professional theatrical troupes, theaters seldom play small plays, professional playwright seldom write plays, that is, in the past to play small plays, the professional grass-roots oriented amateur troupes and amateur theatrical performances have also come in succession. Generally speaking, professional theatrical troupes, theaters and professional playwrights can devote more attention to performing or creating some operas due to different tasks and different working conditions. The amateur troupes occasionally play a little drama and meet the needs of the audience. Only some people think of a show or a creative drama as “level”, “famous”, or “playful” or “playful” for a show or a creative play. That is a prejudice. The reason is very clear. Large and small does not mean high and low. The difference between drama and drama is only different material selection, cutting different, just like novels and short stories the same. The audience is set according to the quality of high and low, but will not always write drama as a masterpiece