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考察20世纪20年代末兴起的“革命与恋爱”题材的创作可以看到,这一模式在男性作家笔下往往呈现为“革命加爱情”的诉求,而在女作家笔下则常具有“革命减爱情”的内核:在“打破恋爱梦”的文学书写中,性爱主题受到抑制和排斥,并表现出“去女性化”的审美特征;左翼女作家代表人物丁玲的创作也透露出“革命减爱情”的讯息,同时愈加“有意识”地体现着革命与爱情失衡、分裂乃至扭曲的“现代性”。此类书写中的性别内涵值得探讨。
Looking at the creation of the theme of “Revolution and Love” rising in the late 1920s, we can see that this model tends to appear as a “revolution plus love” in the hands of male writers, In the literary writing of “Breaking the Dream of Love,” the theme of sexuality is suppressed and excluded, and the aesthetic characteristics of “de-feminization” are exhibited. The representative of the left-wing woman writer Ding Ling The creation also revealed the message of “revolution reducing love” and at the same time more and more “consciously” embodying the “modernity” of unbalanced, divided and distorted revolutions and love. The gender content in such writing deserves to be explored.