海青的画案上长着一棵枝叶婆娑的树,一裸生机蓊郁扶摇而上因此大得有些不合比例的树。树荫下,宛如一江小塘的笔洗中飘着块青花瓷,孤舟般自在浮着,不肯按物理教科书上的规矩下沉,令我大惊小怪了许久。就像我数年前在画展见到他的《蓝色社火》,就有一震,“他这样画!很恢弘的。可他为什么不这样画呢?对吧?”大概是在他这里本来就没有什么不应该发生。比如说,地是 Haiqing’s picture is a long tree with branches and leaves, a bare life soaring and so onyx so large that there is some disproportionate tree. Under the shade of trees, like a small pond blue pen and white porcelain floating in the pen, floating freely like a boat, refused to sink according to the rules of physics textbooks, so I made a fuss for a long time. Just like I saw his “blue party fire” in the exhibition a few years ago, I was shocked. “He did so very magnificently. But why did not he draw it? Right?” Nothing else should not have happened here. For example, the ground is