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对于一名艺术工作者来说,艺术技巧和风格的选择是一个习画者的立场问题。这几年来,葛晓弘为此北上中央美院,近读中国美院,广涉兼收,立足于宋元风格,浸淫于水墨艺术,注重画面的学养修为,在博大精深的传统艺术中以“清”格入手,求逸气,重古人的绘画境界,抛且习惯性的制作,并且不重复自己,以生活的感悟来创作艺术。在葛晓弘的这些水墨作品中,以水墨的趣味和呈现方式来体现水墨的文化精神,以当代实验水墨手法追求开放性,并介入当代艺术的前卫性,在现代视觉构成的图式中充分展现水墨的趣味。如在《溪山清远》中把中国经典山水《溪山行旅》的卷轴画与石头构成反讽意味的装置作品;在《五色
For an artist, the choice of artistic skill and style is a matter of the scholar’s position. In recent years, Ge Xiaoxong North Central Academy of Fine Arts for this purpose, the recent study of the Chinese Academy of Fine Arts, wide and involve, based on the Song and Yuan Dynasties style, immersed in the ink art, pay attention to the image of the cultivation and maintenance, in the profound traditional arts “Qing ” grid to start, seek ease, the ancients of the realm of painting, throwing and habitual production, and do not repeat themselves, to compose art with the perception of life. Among these works of ink painting by GE Xiao-hong, they embody the cultural spirit of ink and wash with the taste and presentation of ink and ink, pursue the openness with contemporary experimental ink and wash techniques, and intervene in the avant-gardeness of contemporary art. They fully display ink in the patterns of modern visual composition Fun. As in the “stream mountain Qingyuan” in the Chinese classic landscape “Hill Travel” scroll painting and stone constitute ironic device installations; in the "five-color