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文章以莫言代表作《透明的红萝卜》为例,探讨莫言小说独具特色的“感觉化语言”风格。莫言十分善于将小说的描写语言感觉化、感官化,利用视觉、听觉、味觉、触觉等直观感觉来描绘事物、表情达意。这种“感觉化语言”可分为“写实性的”和“超现实的”两种,前者是利用生活经验对客体事物作感觉化描摹,后者是利用想象将感觉加以赋予、夸张、变异、幻化。莫言小说的“感觉化语言”与他的童年经历和对语言创新的自觉追求密不可分。
Taking Mo Yan ’s representative work, “Transparent carrot” as an example, this article explores the unique “sensory language” style of Mo Yan’ s novels. Mo Yan is very good at sensationalizing and sensualizing the description language of the novel, using the intuitive feeling of vision, hearing, taste and touch to depict things and express his emotions. This “sensory language ” can be divided into “realistic ” and “surreal ” two kinds, the former is the use of life experience to make sense of the object things to describe, the latter is the use of imagination will feel To give, exaggeration, variation, illusion. Mo Yan’s “Sensational Language” is inextricably linked with his childhood experience and his conscious pursuit of language innovation.