《托巴兹》是让马塞尔·帕尼奥尔早年在戏剧界一战扬名的作品。它的独特之处不仅仅在于其主题并不是帕尼奥尔最擅长、也最为人称道的南方风土人情,而且还是一部被帕尼奥尔翻拍了三次的电影作品。本文试图沿着时间的脉络,从主题、作者创作意图和文化环境三个方面入手,从三部电影《托巴兹》展现帕尼奥尔电影人生的三个阶段,也略窥法国电影从30年代到50年代的风云变化。 Tobago is a work that has given Marcell Panion a fame in the early days of the theater industry. Its uniqueness lies not only in the fact that its theme is not the best and most well-known South Australians in the world, but also a remake of three films by Panion. This article attempts to start from the context of time, from three aspects of the theme, author’s creative intention and cultural environment, from the three films “Topaz” to show the three stages of the life of Pan Niu Er movie, also a little glimpse of the French film from 30 Changes from the 1950s to the 1950s.