如果说20世纪西方美学理论的引入以及白话文运动,导致了中国传统文艺理论的某些转变的话,那么,这种转变的最外层、最直观的表现则为一种复杂的新旧词汇更替现象。一方面,传统文艺理论中的词汇在“白话”的语境中,其原有的意义被逐步消解、模糊甚至流失;另一方面,译介而来的西方词汇在加速传统文艺理论词汇流失的同时,进一步替代、遮蔽 If the introduction of Western aesthetics in the 20th century and the vernacular movement led to some changes in Chinese traditional literary theory, then the outermost and most direct manifestation of this transformation is a complex phenomenon of the replacement of old and new words. On the one hand, the traditional Chinese literary theory in the context of “vernacular ”, its original meaning is gradually digested, vague or even lost; the other hand, translated from Western vocabulary in accelerating the vocabulary of traditional literary theory Drain at the same time, further substitution, shelter